Tage, die es nicht gab

Miriam, Doris, Inès and Christiane have been closely connected since their school days at the "Sophianum". But the girlfriends have much more in common - namely a secret. The idyllic life in Zollberg is thrown into jeopardy when a duo of detectives arrive from Vienna and investigate a death everyone thought was long since solved. This not only makes Miriam ponder in her function as a public prosecutor. As a result of the investigation, the four women are confronted with their very personal fates and secrets, and their bond is put to the test

Doris fights for her position in the company because she wants to lead the forwarding company into a new future. In doing so, she has to take what is probably the highest hurdle: her own mother. The fact that Miriam wants to divorce Joachim is not accepted without a fight. Inès and Etienne, on the other hand, finally want to be a happy family again. But no matter how hard they try, Olivier doesn't play along here. Christiane and Philipp fight against the collapse of their marriage. Both know that something has to change so that a step forward is possible again. In any case, the investigators Grünberger and Leodolter are making progress and are delving more and more into the well-kept secrets of the "Sophianum".

Due to the investigations surrounding the death of director Paulitz, Christiane is again confronted with the events of that time and her loss. Nevertheless, it is time that she and Philipp find their way back to life. Each for himself or together, that is not yet clear for the two. The situation with the Lemarchals is escalating. Only Christiane seems to have a connection to Olivier. And Doris is fed up with the company and realizes that her job as a mother isn't easy either - Sarah quickly makes that clear to her. Miriam is unsettled by Joachim's behavior and is willing to do anything to protect her children. 

It seems as if time has stood still at the "Sophianum". Or is that what is called tradition? The four friends remember their own school days, and this left deep scars on Miriam. The dispute between her and Joachim over custody ends up in court, and Miriam realizes how hard it is to always do the right thing. Doris faces her mother and finds out that with a mother like Berta you quickly reach your limits. Inès can't believe that Etienne just fled. And Christiane and Philipp are targeted by the investigators.

When Christiane begins to write again, it seems as if she can put the past behind her. Olivier seeks closeness with her, and it seems like there's more to it than a teenage crush. Worrying about her children drives Miriam almost insane and reminds her of her own childhood. Doris draws a line at the trucking company and begins to question the events surrounding the day Paulitz died. Was Miriam really with Christiane at the time? Inès is now in despair because there is still no trace of Etienne and Olivier is slowly but surely driving her insane. The investigations by Grünwalder and Leodolter are going in circles and threaten to be stopped.
with Franziska Weisz (Miriam Hintz), Diana Amft (Doris Hauke), Jasmin Gerat (Inès Lemarchal), Franziska Hackl (Christiane Boj), Sissy Höfferer (Elfriede Grünberger), Tobias Resch (Leodolter), Andreas Lust (Joachim Hintz), Stefan Pohl (Filip Boj), Wanja Mues (Etienne Lemarchal), Etienne Halsdorf (Olivier Lemarchal), Niobe Eckert (Sarah Hauke), Jutta Speidel (Berta Hauke), Harald Krassnitzer (Paul Paulitz) and others

Doris saves Miriam from making a big mistake. But does that help the children? Inès doesn't like the familiarity of Christiane and Olivier at all, but she can't deal with it because suddenly Etienne is at the door again. The two try to build on happier days, but then they reckoned without their son. The pressure on Miriam is increasing - Doris confronts her with the inconsistencies in the Paulitz case, and Joachim is also harassing her. Even the unauthorized investigation picks up steam again, cornering Miriam. She has to make a decision. 

In the investigations by Grünberger and Leodolter, there are suddenly new clues about what happened on Paulsdamm – or are they leading to a dead end again? When Christiane's book appears, it is a new test for her relationship with Philipp. Meanwhile, Doris realizes that her conflict with Berta will not be resolved any time soon and is therefore looking for a new field of activity, much to the chagrin of Sebastian. Sarah's field of activity, on the other hand, seems to be Olivier, who in turn is engaged in a power struggle with the director of the "Sophianum". When Inès has to go to school because of this incident, she meets Miriam there. It is clear to both women that Miriam must now find a solution with Joachim, otherwise she and the children will be left behind. Almost every means is right for her.

The situation between Miriam and Joachim escalates. Despite a bad conscience, Inès and Etienne stick to their decision, and Inès takes the opportunity to save her marriage. Olivier finds shelter with Sarah, but for that Olivier has to get his life together. Christiane and Philipp finally find a way to leave the past behind. After Berta's accident, however, Doris has completely different worries - Berta makes her a confession. When Miriam has the feeling that she finally has everything under control again, the investigators Grünwalder and Leodolter set about the final clarification of the Paulitz case. Or is there actually another secret here?