Tatort

In the middle of the day, a money messenger is murdered in cold blood in front of a jewelry store in downtown Weimar. Kira Dorn (Nora Tschirner) and Lessing (Christian Ulmen) happen to be witnesses and pursue the perpetrator. During an exchange of gunfire in the park cave, Lessing is injured and the perpetrator is able to escape. The dead messenger is Ludgar Döllstädt, managing director of the security company "Geist Security". While Kurt Stich (Thorsten Merten) is convinced that the act was a robbery and murder, Kira suspects more behind it: Lessing had stopped the murder victim at a traffic check a few days earlier with Maike Viebrock (Inga Busch), a department head at the state administration office . In the trunk was a rare parrot.
Did security company owner John Geist (Ronald Zehrfeld) want to liquidate his CEO to protect his company from an animal bribery scandal? Kira Dorn and Lessing do everything they can to find the culprit in this complex case where nothing is as it seems...

A woman is found hanged in her room in the exclusive Hotel Rheinpalais. Superficially everything points to suicide. The chief inspectors Ballauf and Schenk have doubts: For them it looks like a brutal execution. First testimonies point to a connection between the 60-year-old victim Kathrin Kampe (Eva Weißenborn) and the owner of the hotel Bettina Mai (Ulrike Krumbiegel). When the suspicions against Bettina Mai intensified and her arrest is imminent, she takes over Inspector Schenk and flees with him as a hostage...

Four weeks ago, the members of the Oase Ostfildern building community moved into their building and the foundation had to be dredged up again due to a sealing problem. An even bigger problem emerges: an unidentifiable female corpse. Thorsten Lannert and Sebastian Bootz try to find their way between group sessions and the residents' expressions of feelings in order to obtain clues to the identity of the dead. They encounter the idealistic dream of communal living as well as the conflicts that appear between the apartment owners when they realize that one of them may have become the perpetrator. Especially since the dead could be a former applicant who eventually disappeared without a trace. Some of the group identify their own suspect outside of the house, making life easier for themselves. The commissioners, however, are not willing to be influenced by aura and gut feeling. Rather, it makes you thinkthe missing applicant of all people had caused a stir among some of the residents...
Dietrich Brüggemann and Daniel Bickermann, who have already written "Tatort: Stau" for the Stuttgart team of inspectors, also tie in with this script in everyday life: housing is a pressing issue, especially in the Stuttgart area. The home builders in "Tatort: That is our house" are not only concerned with their own roof over their heads, but above all with the dream of living together. An ideal that, after the lengthy development phase of their project, now has to prove itself in reality and is also being put to the test by dealing with the commissioners. And for Lannert and Bootz, too, the investigation in a milieu in which their very own ways of thinking are anchored is a test, even if it is above all a test of patience.

When investigative journalist Imke Leopold Thorsten Falke asks for help in investigating a supposedly illegal real estate deal on Norderney, he initially reacts with skepticism. When Imke falls victim to an attack shortly afterwards, which she is only lucky to survive, Falke regrets his hesitation and asks Julia Grosz to investigate the island with him. Does the attack have anything to do with a large-scale construction project that was waved through with the approval of some local politicians on the island? The lawyer and real estate agent based on the island, who engineered the deal and made corresponding suggestions to Imke, is unfortunately unable to provide information - Falke and Grosz find him dead in his house... 

During an operation on the banks of the Elbe in Dresden, paramedic Tarik Wasir was suffocated with a plastic bag in the vehicle. His young colleague Greta Blaschke can no longer help him. The investigators Karin Gorniak and Leonie Winkler as well as Commissariat Manager Schnabel investigate in all directions. The rampaging patient Arnold Liebig, whose health insurance has cut benefits, is just as suspicious as Greta's colleague Hagen Rigmers, who seems to be hiding something and threatens his colleagues. A short time later, a second attack is carried out on an ambulance at the same location. Paramedic Elena Jancowicz is seriously injured, and any help comes too late for a colleague. At the rescue station headed by Peter Fritsche, the fear of further attacks increases.
Greta Blaschke is at the end of her strength because of the murder of her colleague and her strenuous job. The single mother is hoping for distraction from an evening date with Jens Schlueter, whom she met in her daughter's kindergarten. Little does she know that along the way she will be confronted with a traumatic experience from her past and that she is putting herself in extreme danger

When the dedicated "Rock gegen Rechts" concert promoter Tillmann Meinecke was found shot dead, the suspicion of an attack is obvious. Meinecke felt threatened by the right-wing extremist scene and had applied for police protection, including for Lena Odenthal. His death triggers a manhunt that nets Ludger Reents. During a police checkpoint, Reents shoots police superintendent Katja Winter and is arrested, while his girlfriend Hedwig Jörges is able to escape. Reents is a member of an extreme right-wing organization. He actually had Meinecke in his sights and was at the crime scene at the time of the crime, which he also admits. Despite this, he vehemently denies having committed the murder. Supported by the Office for the Protection of the Constitution, Lena Odenthal and Johanna Stern check Meinecke's surroundings.
Meinecke's friend Maria and her mother are questioned about the circumstances of the crime. Maria is convinced of the attack theory and is in shock. She falls out with her mother, who makes no secret of her dislike for Meinecke. As Maria wanders through Ludwigshafen at night, her path crosses that of the fugitive Hedwig. Unknown to each other, the two feel lost that night, and an unexpected moment of communion arises between them.

The charred corpse of a young woman is found after a fire in the basement of the Gerberzentrum, a high-rise housing estate in Dortmund. The newcomer to the Dortmund homicide squad, Rosa Herzog, quickly realizes that the victim has been murdered. There is also evidence of attempted rape. During the investigation, the team is confronted with racism, police violence and fake news.

In the second Zurich "crime scene", Isabelle Grandjean (Anna Pieri Zuercher) and Tessa Ott (Carol Schuler) investigate the murder of the chocolate manufacturer Hans-Conrad Chevalier and in many respects reach their limits.
Entrepreneur Hans-Konrad Chevalier is found dead in a luxurious villa – beaten to death and shot. The brutal procedure indicates a relationship act. The murdered man ran the famous Chevalier chocolate factory – together with his daughter Claire (Elisa Plüss). The investigations lead the profiler Tessa Ott (Carol Schuler) back to her roots, the posh residential area on the Zürichberg. In this area of the super-rich, everyone could live a happy "chocolate life" (a life on the sunny side). But appearances are deceptive. Apparently the head of the company was Chevalierdepressed and suicidal. His own family never accepted his homosexuality. His mother Mathilde (Sibylle Brunner) obviously never thought much of her gay son. After his murder, she is now pushing back to the top of the company. Past granddaughter Claire, who works day and night in the company and wants to succeed her father. However, the company has been in the red for a long time. Claire's dubious fiancé (Urs Jucker) takes advantage of the situation. At the same time, Claire makes her father's conflicting will disappear. The inspectors realize that a power struggle is raging at "Chocolat Chevalier". Was the murdered patron its first victim? The investigations are difficult. everything speaks for.

The abused body of a young woman is found on a wasteland near a popular Kiel club. The club's video surveillance soon gives Klaus Borowski (Axel Milberg) and Mila Sahin (Almila Bagriacik) a suspect: Mario Lohse (Joseph Bundschuh). The shy-looking outsider regularly watches misogynist videos on the Internet forum of the so-called "pick-up artist" Hank Massmann (Arnd Klawitter). Since Lohse cannot provide a solid alibi, Borowski and Sahin decide to temporarily arrest him. But Borowski soon noticed signs that put the crime in a completely different light: in the immediate vicinity of the crime scene, he thinks he saw a number 14 trampled into the soft ground, a symbol used by American neo-Nazis.
When Mila Sahin found out that further attacks on women in Kiel were being propagated on hate lists on the Internet, she too was alarmed. When trying to warn the apparently acutely threatened Kiel politician Birte Reimers (Jördis Triebel), she comes across a rape victim. As an undercover agent in Massmann's circle, Borowski has to experience the enormous energy behind the calls..

Ella flees from her abusive husband and tries to go into hiding with no money and no friends. The homeless Monika takes Ella under her wing and shows her how to survive on the streets. But Ella leaves Monika alone when she meets Axel in a fast food restaurant and finds shelter in his small apartment. The next morning, the one who promised her protection is dead. Inspectors Ballauf and Schenk take up the investigation.

The discovery of a dead person in a desolate residential area was reported anonymously in the early hours of the morning. Jana Gruber was overpowered in her house and brutally killed. Evidence indicates that the woman worked as a prostitute - and that she had a child. But the children's room is deserted, there is no trace of the child, a ten-year-old son. The anonymous caller is identified and, amazingly, there is a file about him: Gustav Langer used to get in touch with the law more oftenConflict. And as a suitor, he had known the victim for a long time. But is he also the murderer of Jana? Very soon they recognize similarities between the current case and an unsolved murder some time ago. Investigators are deeply alarmed by the possibility of a serial killer acting according to plan. The detectives are pushed to the limit, they investigate to the point of exhaustion against time and a psychopathic insane killer.

The student Jessi (18) has a date. But not in the disco, she goes to the nearby forest on the outskirts of town. A short time later she is dead. First a carbon arrow hits her in the thigh, then a knife stabs her in the heart. When a jogger finds the body the next day, it has bite marks and a twig in its mouth, among other things. The Saarland team of investigators led by chief inspectors Leo Holz (Vladimir Burlakov) and Adam Schürk (Daniel Sträßer) is puzzled because the branch in the mouth points to an old hunter's custom. Is it a ritual crime? First, the detectives investigate the victim's school environment , question teachers and classmates. Because Jessi's diary shows: She had a secret love.
On the other hand, there were also plenty of scorned lovers. And suddenly Adam's father also appears on the scene: Robert Schürk, who woke up from a 15-year coma towards the end of the first episode ("The busy Lieschen"), claims to know who the perpetrator is. Meanwhile, another lead leads the chief inspectors Esther Baumann (Brigitte Urhausen) and Pia Heinrich (Ines Marie Westernströer) to France. Together, the team gets closer to a solution

A kiosk operator in Ludwigshafen is brutally killed. It looks like robbery-if it weren't for the coins stuck in the dead man's windpipe. A signal for Lena Odenthal and Johanna Stern that there could be a private motive for the crime. Their investigations focus on two customers of the kiosk. Anton Maler is charming, takes care of his sick ex-girlfriend and is so exaggeratedly accommodating to the inspectors that he seems suspicious again. Jannik Berg, on the other hand, was not only seen with the possible murder weapon, he tried to avoid the inspectors and sowed mistrust of Anton Maler. Witnesses and suspects who lie and sugarcoat are nothing new for Lena Odenthal and Johanna Stern.
This time, however, they have the impression that they are being manipulated beyond what they are used to. The "Tatort: The Evil King" by author and director Martin Eigler confronts the inspectors with a narcissistic personality, for which they have to find special psychological clarity. In Ludwigshafen, shimmering in the summer heat, they get ever closer to the abysses in their suspect's psyche and have to ask themselves whether his instability can lead to murder. 

The federal police are investigating Russian arms dealers who, as alleged manufacturers of agricultural machinery, have built up a perfect entrepreneurial facade. Julia Grosz, who has just been promoted to Chief Inspector, is in charge of the operation. When the undercover investigator dies shortly before the mafia-like structures are uncovered, the whole operation seems to have failed. But the arms dealer Timofeev has a niece, Marija, who works for the LKAworks and distanced herself from her family years ago. In order to prevent the campaign from failing completely, Grosz tries to position Marija against her own family. Falke, who used to be Marija's supervisor at the LKA, is not enthusiastic. The thing seems too dangerous and uncontrollable. But Marija agrees to Grosz's suggestion and begins a double game of life and death. 

When it comes to inheritance, suppressed feelings and hidden truths come to light: In their seventh case, inspectors Franziska Tobler and Friedemann Berg get deep insights into the dynamics of a wealthy Freiburg entrepreneurial family. The suspicious fall of the 78-year-old factory owner's widow Elisabeth Klingler calls the inspectors Franziska Tobler and Friedemann Berg into action. Klingler had just announced a change in the will to her daughter, her son, her granddaughter and the notary: after her death, the family villa should go to her supervisor Elena Zelenko. A shock for their children, who react with vehement indignation. Only when their mother is already dying do Gesine and Richard find out that Elisabeth Klingler and Elena Zelenko had secretly married.
Unlike their niece Toni, they don't want to accept this fact. Especially since it is now about more than just the villa. Torn between grief, the feeling of being rejected and fear of the financial consequences, the duped heirs present the inspectors with various clues as to Zelenko's involvement. Franziska Tobler and Friedemann Berg investigate, but also keep an eye on the family members. Especially since they found out during their investigations that the Klinglers and Elena Zelenko had a common past, the shadow of which weighed on Elisabeth Klingler.

No cell phone, no papers, no clothes: a naked male corpse is found in a moorland area. Thanks to Prof. Boerne's instinct, the identity of the young man is quickly clarified: It is Maik Koslowski: vegetable farmer, nude model and advocate of free love. He was also the leader of group seminars such as "Sexuality and Tantra" or "Drumming and Ecstasy". During their research on the Erlen farm with the adjoining trailer park, Thiel and Boerne encounter cackling geese, curious alpacas and confusing network of relationships. In order to bring light into the darkness, Thiel asks his "Vadder" for help: He should ask around undercover in the commune.

The successful duo Eisner and Fellner are on the trail of a conspiracy in the new "Tatort" from Vienna. The task at hand is to investigate the death of a high-ranking official in the Ministry of the Interior, which seems to have had a wide impact. A summer in Vienna. It is hot. Too hot. Bibi (Adele Neuhauser) is jogging through the forest and quite by chance meets a high-ranking official from the Ministry of the Interior. The man is dead a little later. Moritz Eisner (Harald Krassnitzer), who is due to start a long-awaited project at Europol and the EU anti-corruption agency OLAF in The Hague in a few days, decides to take on this case. But is it even a case? The Ministry is pushing to present the cause of death as a simple heart attack. There was apparently no external influence, and the traces of theDoping substances in the blood of the deceased do not prove poisoning.
Although the dead man was feared in the Ministry, he apparently only had friends. He leaves behind an honestly grieving widow, a friendly neighbor and a caring sports doctor. Just as Moritz Eisner discovers the first gaps in the dead man's spotless past, it is announced that he will not get the job in The Hague. However, the exemption he had applied for to go to Holland was granted. Now Moritz Eisner is suddenly rid of the case and his new professional perspective. That doesn't stop him. Quite the contrary: he takes up the fight against apparently overpowering opponents and not even Bibi can hold him back.

Five-year-old Mike has disappeared. For three days, his separated parents (Linda Pöppel, Andreas Pietschmann) think that their son is with each other, until the mistake is noticed. Now the mother angrily suspects the father, the father the mother.
But where is Mike really? What truth does the forest hide behind the house where the boy often hid when his parents quarreled? Did Mike run away this time? But how far can a five-year-old go alone? Or was he not alone at all? How is Mike related to 17-year-old Titus (Simon Frühwirth), who feels persecuted and whose fear drives him to Amsterdam? For Paula Ringelhahn (Dagmar Manzel)The case takes a personal turn when suspicion falls on the teacher Rolf Glawogger (Sylvester Groth), with whom she has recently developed an intimate and loving relationship. Rolf lives on the other side of the extensive city forest. What Paula didn't know: Two students accuse Rolf of sexual harassment and have filed a complaint. Paula's doubts grow.
Even if Rolf denies all allegations, Felix Voss (Fabian Hinrichs) has a connection to Mike's disappearance at hand - if it weren't for the alibi that Paula Rolf gave for the questionable night. A mysterious and very emotional case for Paula Ringelhahn and Felix Voss.

The first case for Radio Bremen's new "Tatort" team The Bremen police are on the alert: Shortly after the birth, Sophie Völkers' (Morgane Ferru) baby is kidnapped from the clinic, many officers are involved in the search, the capacities almost exhausted by the police. A young man is found dead in front of an abandoned industrial building. At first glance it looks like he's leaning towards his death. Who should take this case? And is there a connection between the two cases? In the tense situation, the Dane Mads Andersen (Dar Salim) has to step in again, although he is actually already sitting on his packed suitcases and on his way back to Copenhagen. At his side, Liv Moormann (Jasna Fritzi Bauer) appears, who wants to prove herself in the homicide squad.
The twothe BKA investigator Linda Selb (Luise Wolfram) is put to the side. They discover knife wounds on the dead man's body, making suicide seem unlikely. The investigation quickly reveals that the dead man is Jannik Waltz, a well-known drug dealer. Was it a murder in the drug milieu and the brothers Lenny (Nikolay Sidorenko) and Tim Maurer (Bruno Alexander), with their friend Marco Stiehler (Gustav Schmidt) know more than they reveal? And then there are Marco's father, the disappointed ex-soccer player Rudi Stiehler (André Szymanski), and his daughter Jessica (Johanna Polley), who also just had a child. During the investigation, Liv Moormann, Mads Andersen and Linda Selb have to pull themselves together quickly because they are investigating in a swamp of drugs, lies, jealousy and broken dreams.

Forced eviction in Berlin: On a cold November morning, Otto Wagner (Peter René Lüdicke) has to leave the apartment with his family. After the takeover of the apartment building by Ceylan Immobilien, it is gradually being vacated. Old appointments are no longer valid and so Axel Schmiedtchen's (Ingo Hülsmann) moving company ensures a quick, clean handover. Forced eviction in Berlin: On a cold November morning, Otto Wagner (Peter René Lüdicke) has to leave the apartment with his family. After the takeover of the apartment building by Ceylan Immobilien, it is gradually being vacated. Old appointments are no longer valid and so Axel Schmiedtchen's (Ingo Hülsmann) moving company ensures a quick, clean handover. Until recently, the house was still a symbol of the famous "Berlin mix".
Now Gülay Ceylan (Özay Fecht), the head of the small family business, wants to refurbish the house in order to later convert it into condominiums. But there is resistance. Four tenants in the house are clinging to their affordable apartments, they absolutely want to keep them. And everyone has their reasons for it. The young Malovcic family has children, the old woman Kirschner (Friederike Frerichs) has lived in the house for almost 60 years, Jenny Nowack (Berit Künnecke) is a single parent, her children have friends in the neighborhood and Peter de Boer (Tijmen Govaerts) earns his living as a freelancer journalist hardly anything. He fights with his rent rebels in the social networks against injustice on the Berlin housing market.
When the junior boss of the real estate company, Cem Ceylan (Murat Dikenci), lies dead in front of the house, the Berlin murder commission has a new case. Rubin (Meret Becker) and Karow (Mark Waschke) investigate in the times of Covid-19 in the apartment building in Wedding. The two inspectors are confronted with Berlin's rent madness and people's existential concern for their "third skin", the four walls in which they live and which are more than just their home.

In the middle of the day, on a golf course near Frankfurt, Frederick Seibold (Helgi Schmid) is struck down by four men wearing dog heads. When he regains consciousness in a dark basement, the two Frankfurt chief inspectors Anna Janneke (Margarita Broich) and Paul Brix (Wolfram Koch) are already entrusted with his case: Frederick's ex-girlfriend, Bille Kerbel (Britta Hammelstein), had a severed finger received, which she took straight to the police. Konrad Seibold (Bernhard Schütz), Frederick's father, a well-off commercial lawyer, does not see the point in paying the ransom, as he believes his son Frederick himself was behind the kidnapping. Janneke and Brix are surprised by Seibold's stubbornness, who also received a finger and didn't react.
However, when it turns out that the severed fingers did not come from Frederick, the father seems to be right. Via Bille, the inspectors' trail leads to Conny Kaiserling (Christina Große), who runs a studio for women's self-defence courses. Brix comes up with the idea of smuggling Fanny (Zazie de Paris) there undercover. Janneke and Brix are called to the Taunus to a woman's corpse that has been placed there. Antonia Wagner, the dead woman, was apparently pierced by a fence post. In search of outside influence, the forensic pathologist finds fragments of Frederick Seibold's skin under her fingernails. Was Antonia involved in the kidnapping?

Susanne Elvan (Nesche Demir) met her husband Tarek (Sahin Eryilmaz), a convicted violent criminal, through a pen pal portal while he was in prison. The wedding took place before he was released. When Susanne is found murdered, Tarek has only recently been released. The case seems clear for the chief inspectors Max Ballauf (Klaus J. Behrendt) and Freddy Schenk (Dietmar Bär). There is much to suggest that Tarek has his wife on his conscience. But when assistant Norbert Jütte (Roland Riebeling) sees that the murderer has tied a belt over his victim's eyes, the case takes an unexpected turn: Jütte remembers an earlier case and is convinced that he had already met the murderer before had to do.

Kai Korthals plays cat and mouse with Klaus Borowski and Mila Sahin in Kiel. The notorious woman killer is serving life in a forensic psychiatric ward when a riot erupts during a theatrical performance by the inmates. Kai saves the prison psychologist from being raped, killing two attackers in the process. Then he manages to escape from the clinic undetected. Apparently, many women haveFeeling attracted to the killer, in his cell Borowski and Mila Sahin find numerous letters from admirers who are now in grave danger. Borowski initially resists the dangerous hunt for the killer, because six years ago Kai Korthals became Borowski's personal nightmare and kidnapped his fiancée Frieda Jung. But then the body of a young woman is found on the shore of a lake

Sudden cardiac arrest at the age of only 29: Anna Schneider collapses dead in broad daylight on the street in front of her café. The Dresden investigators Gorniak and Winkler convince their boss Schnabel to take up the investigation into this mysterious death, although the medical examiner Jonathan Himpe wants to rule out poisoning. They found out that Anna Schneider had just filed a criminal complaint against an unknown stalker. In addition to the psychological stress, the victim has recently suffered from severe physical pain. Every little touch made her flinch. Gorniak is alarmed: she too has had pain attacks for a few days that she cannot explain. Even the medical officer cannot determine any medical cause.
She didn't know Anna Schneider, but could there be a connection between the two women ? Schneider's ex-boyfriend Nils Klotsche quickly finds himself in the sights of the inspectors. He works as a technical assistant in a medical laboratory specializing in the development of nanobots in cancer research. Is it possible to manipulate the molecules in such a way that they can be used as a weapon? His boss, Professor Mühl, and his colleague Martha Marczynski consider that impossible. Other suspects are also found: the married Lucas Dreesen, who had a short but intense affair with Schneider, could also be the stalker. There are increasing signs that Gorniak is actually being pursued.
She receives mysterious threatening phone calls and is repeatedly delivered video footage showing party scenes from around 20 years ago. Isn't the motive for this case jealousy at all?

The gas station attendant is shot dead in a gas station in Mainz – the second and this time deadly attack within two weeks. The only witness to the crime is the blind law student Rosa Münch (Henriette Nagel), who still lives with her parents and longs for a life beyond her father's overprotective control. Ellen Berlinger (Heike Makatsch) and Martin Rascher (Sebastian Blomberg) investigate on the trail of the two perpetrators and follow the clues of the blind man: the smell of an expensive perfume, the voices of suspects, the details heard and felt by Rosa at the crime scene. The inspectors want to put the vulnerable Rosa under police protection, but the young woman refuses. On the contrary, when a young woman seeks contact with her,whose voice sounds familiar to her, she keeps it to herself. Ellen Berlinger and Martin Rascher suspect that Rosa knows more than she says - maybe even knows the perpetrators, likes them, finds them attractive... gets involved in something that she doesn't tell them. The investigators have to continue investigating without her support and resort to unusual methods to prevent further deaths.
"Tatort: Blind Date" is the second joint assignment by Heike Makatsch and Sebastian Blomberg as Commissioners Berlinger and Rascher in Mainz. Author Wolfgang Stauch and director Ute Wieland involve them in a case that deals with self-determination and a longing for risk, with different types of feelings and the question of when things get serious. 

After the release party for her debut novel, 19-year-old author Luise Nathan (Jana McKinnon) is found dead. Everything looks like a suicide at first. Publishing boss Roland Häbler (Clemens Schick) and editor Marvin Gess (Thomas Prenn) blame themselves: Could Luise not withstand the high pressure of expectations? Luise's book, which is about the socially disadvantaged teenager Luna, is a sensation in her eyes. Luise's mother, Friederike (Nicole Marischka), city councilor for social affairs, cannot imagine that her strong daughter would commit suicide. Frankfurt chief inspectors Anna Janneke (Margarita Broich) and Paul Brix (Wolfram Koch) soon realize that massive external influences have led to the young woman's death.
Outside of the publishing house, her investigations lead her to Luise's friend Nellie (Lena Urzendowsky), who is growing up in less middle-class circumstances with her mother Jessie (Tinka Fürst) and her little sister. Luise's novel increasingly comes into focus: while Brix and Janneke initially devote themselves to the victim's novel out of thoroughness, they realize when investigating that it is based on the reality of the two girls and provides crucial clues...

When an aspiring violinist enters the office of the Munich homicide squad, the door opens to a case of a different kind: Marina (Jara Bihler) is not sure whether she murdered her best friend and competitor, who has been missing for days, not just in a dream Has. Please what? Marina is a lucid dreamer. She can control her lucid dreams, but apparently no longer dreamed of real memoriesdifferentiate. A kind of half-confession that causes headaches. When there are no bodies at the scene of the crime, but traces of blood, the mystery for Batic (Miroslav Nemec) and Leitmayr (Udo Wachtveitl) becomes even greater. Their investigations lead the inspectors into a merciless world of orchestras, in which hard-ball battles are fought. With the Munich Radio Orchestra and its conductor Ivan Repušic.

Weekend in Berlin: party-goers and party-goers roam the wintry streets in search of an unforgettable night. A young woman uses a dating app to find a suitable date in the couple Dennis Ziegler (Vito Sack) and Julia Hoff (Milena Kaltenbach). The next morning, a female body is found near Dennis' apartment. Weekend in Berlin: party-goers and party-goers roam the wintry streets in search of an unforgettable night. A young woman uses a dating app to find a suitable date in the couple Dennis Ziegler (Vito Sack) and Julia Hoff (Milena Kaltenbach). The next morning, a body is found near Dennis' apartment. Her face is disfigured, making identification impossible.
A missing persons report and a subsequent DNA comparison reveal to the inspectors Nina Rubin (Meret Becker) and Robert Karow (Mark Waschke) that the dead person is the medical student Sophia Bader. When Rubin and Karow bring the news of death to Marianne (Andreja Schneider) and Helmut Bader (Rainer Reiners), the parents deny that the dead woman is their daughter and deny that she used dating portals. To the surprise of the inspectors, Dennis Ziegler and Julia Hoff appear at the police station. They explain that they broke up the same evening after consensual sex with Sophia. But Dennis doesn't seem innocent. A thick police file bears witness to allegations of arson, assault and rape. But he was never convicted.
The suspicion quickly arises that his parents - the patrol officer Doris (Jule Böwe) and the security expert Claus Ziegler (Andreas Döhler) - have repeatedly managed to pull their son's neck out of the noose. And again the parents' fingers seem to be involved, the investigators run into a wall. Rubin and Karow have to use drastic methods to break through the psychogram of the Ziegler family - and to understand why Sophia's parents so vehemently deny their daughter's death.

A series of murders shakes Frankfurt. Three men are shot in the neck and there is no connection between the victims. Since it is about two "non-Germans" and a homeless person, one initially suspects a perpetrator from the right-wing milieu. But Commissioner Murot from the LKA Wiesbaden has a different suspicion. He believes that the first two murders were only there to make it look like a series of murders, while the perpetrator was really only interested in the third victim: Jochen Muthesius. The homeless man was a former philosophy professor who also taught Murot. At a time when dreams of a better world and the "principle of hope" were still alive. It was different for Muthesius. After a family tragedy, he lived on the streets for years.
And yet he still owned a villa in Kronberg and a considerable private fortune. The three children of the dead man become the focus of investigations: Paul, an eccentric solo entertainer. Inga, a psychotherapist. And Laura, who set up a foundation for the needy with her father's money. While Murot's assistant Wächter is more and more convinced that Murot is getting lost, a new suspect appears: Jürgen von Mierendorff, a neighbor's son and friend of the Muthesius family, but now a member of the right-wing scene. When Murot realizes that several of the suspects are in league with each other and that he only has a chance if he plays them off against each other, he goes on the offensive: in order to lure her out of reserve, he tells her to kill him...

28-year-old Nicolas Schlueter does not come back from his morning jog: a car has hit the police chief. Schlueter was about to be promoted, he was popular at the police station and had good friends, and his wife Simone was expecting their first child. There does not seem to be any evidence of a motive for the murder or suspects. And according to Simone Schlueter, the bruises that Schlueter suffered a few days before his death can be traced back to a riding accident. Peter Faber, Martina Bönisch, Rosa Herzog and Jan Pawlak investigate in all directions - including at the police station in Dortmund-Hörde. There Martina Bönisch meets an old acquaintance: At the police academy, she got along very well with Kathrin Steinmann. Today, the head of the station stands protectively in front of her team.
In the weeks before his death, Nicolas Schlueter apparently had one doctor in particular in his sights: Dr. Johannes Oberländer, who has made a name for himself as a seminar leader. Men should be able to learn from him how to go down well with as many women as possible.

A man's body is found in the harbor. Liv Moormann (Jasna Fritzi Bauer) and Linda Selb (Luise Wolfram) find out: The dead man (Markus Knüfken) was a doctor – and what a doctor! A do-gooder, a Samaritan, one who treated the town's poor pro bono, a helper with great ideals. And now he lies here, executed, on a dusty harbor quay - run over and with his skull crushed in. What is the secret behind the brutal act? Whose anger and hate has been vented here? At first, no motive is recognizable, the traces in the vicinity of the dead run into nothing.
Moormann and Selb investigate meticulously and find a number of suspects: the medical assistant Kirsten Beck (Lisa Jopt), the activists Ann Gelsen and Vicky Aufhoven (Anna Bachmann and Franziska von Harsdorf) andCharlotte Aufhoven (Karoline Eichhorn), the boss of a once posh family business. They all have a lot to hide because they have a lot to lose. The crew of a freighter anchored next to the scene of the crime also remains silent. That's the job for the Dane Mads Andersen (Dar Salim), who tries to hire on the freighter and get more information that way. But this time he cannot convince either the captain or the crew - the situation escalates and Mads Andersen is in serious danger. He also has his own battle against shadows from the past.
This "crime scene" negotiates the relationship between a sense of duty and happiness in life, deals with guilt and atonement and is a plea for the inner freedom of each individual.

The investigations into a murder lead the Munich inspectors Ivo Batic (Miroslav Nemec) and Franz Leitmayr (Udo Wachtveitl) to Dannerberg in the foothills of the Alps. There the dead man worked as an auditor in a nunnery. However, the godly life seems tranquil only at first glance. Evidence quickly accumulates that the caretaker of the monastery is involved. But what is the motive? Were there any irregularities in the accounts that the auditor threatened to uncover? No less irritating are two envoys from Rome, who are conducting their own investigations in parallel with Batic and Leitmayr. Do the nuns want to cover up their own transgressions? And are there other wondrous secrets lurking behind the monastery walls? 

Inspector Charlotte Lindholm travels privately to Hamburg to secretly meet a man in a hotel. But when she arrives at the luxury hotel Atlantic in Hamburg, the man is dead. Of course, the inspector is targeted by her colleagues in Hamburg. So Lindholm does everything to prove her innocence and begins to investigate herself: Was the murderer one of the Udo Lindenberg doubles who are in the hotel because of a casting? She uncovers clues that the murder may have been a trap. Is there even an act of revenge on the commissioner behind all this? For Udo Lindenberg it is the first appearance in a "crime scene". Musically, however, Lindenberg has long been associated with the crime series - he played the drums on Klaus Doldinger's classic Tatort title music.

After this solo investigation, Charlotte Lindholm will solve the next case again in a duet with her Göttingen colleague Anaïs Schmitz.